of ARRI. If you find any problems in the documentation, please report ARRI ALEXA Studio camera with optical or ARRI EVF-1 electronic. At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast. ARRI recommends that all users of the ALEXA read the manual in its .. Use of the mains unit is recommended for shooting in the studio and.

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Main Controls The High Speed mode is exited the same way it is loaded, by pressing the upper middle screen button of the FPS list screen. The camera really shined when we shot the exterior scenes.


After about 5 seconds, connections are established. Camera with CCH-1, side view As the ALEXA camera system will consist of several cameras in the future, this is necessary to differentiate between the camera types.

Onboard Batteries V-Lock batteries are available from aalexa number of manufacturers. Electronic level Overlay showing the horizontal levelling of the camera. Shutter Angle and sensor fps determine exposure time of the sensor in seconds by the following equation: Page 91 Influences naming of clips on SxS cards. V-Lock batteries are available from a number of manufacturers.



During this procedure, the timecode display on the home screen, on the timecode menu screen as well as on the status overlays is flashing. Frame lines are a reference for framing that typically consist of an image frame, a center cross and an aspect ratio reference.

Page 63 Main Controls The looks are stored in the camera. Viewfinder Cam Menu Frame lines are a reference for framing that typically consist of an image frame, a center cross and an aspect ratio reference. This will avoid condensation on the sensor coverglass. There are a number of simple steps you can take in the cozy comfort of your home: Make sure the screws are well tightened with a 3mm Allen key.

Camera Controls Compare mode Interleave creates an interlaced image from the live image and the loaded image.


Quicktime and Quicktime logo are trademarks or registered trademarks of Apple Computer, Inc. Set rect 2 Set the shape of rectangle 2.

It is connected to the camera’s Ethernet port. Default frame lines have “User” specified as color for afri content. This can either be a color meter or a vectorscope together with a calibrated grey card. The contents in the recording format is often up or down-sampled, cropped, repositioned or rotated in post before it becomes the final distribution format. For example, the internal recording could be used for on-set review and proxy editing, while the external device captures the master data.


Function Buttons SD card. Camera Controls Figure See Settings sync on page for more info. Display Main Controls Page 94 SD card without touching any data present on the SD card. Main Controls White balance and color compensation should be adjusted only with the help of appropriate equipment.

The maximum fps value that can be set is determined by the maximum frame rate recordable by the SxS PRO card in use. If this error Reboot camera now!

Depends on the eyepiece in use. To power the RCU-4, press the power button after connecting the device to a camera. Channel 1 level Manual allows the user to manually apply gain to the input signal on channel 1 to reach a correct level.

Color Camera Controls User Setups Camera Controls Compare mode Interleave creates srri interlaced image from the live image and the loaded image. A distribution format defines how the final product is delivered to the consumer. Got it, continue to print. Manual behind the lens FSND filters: Sensor Active Image Area photosites. Lens Adapter Pl-mount La-pl-2 with Lds ALEXA night shot with false color active Camera Controls Camera Controls The camera can be controlled through three different interfaces: